Covers/Magazine

TEMPORÄR FÜR IMMER / WARRIORS

A dialogue between time and resistance.
“Temporär für Immer”, a poster for a group exhibition at the University of Arts Linz, transforms a melting hourglass into a surreal meditation on impermanence.
Its playful 3D forms and pastel gradients balance softness with existential reflection — a reminder that digital temporality can feel eternal.

Opposite in tone, “WARRIORS – Live Manifesto” strikes with raw immediacy:
electric magenta, hand-drawn chaos, and a blade cutting through the noise.
It channels punk aesthetics into a visual cry for survival — emotion turned into motion, resistance rendered as art.

A FASHION MURDA / MONEY GREED/CHANGE

A visual trilogy about obsession, vanity, and transformation in a hyper-capitalist culture.

“A Fashion Murda” turns glamour into violence — a polished golden knife that reflects the seductive brutality of the fashion world. It glamorizes destruction, exposing the toxicity beneath beauty and desire.

“Money Greed” continues the narrative through surreal digital imagery. An unblinking eye, stuffed with dollar bills, watches as wealth consumes itself. Surrounded by fluid neon forms, it becomes a symbol of excess and blindness.

“Change”, a looping video piece, closes the cycle. A pixel gradient pulses in the background while symbols and fragmented typography are across the screen. It visualizes transformation — both personal and societal — caught between chaos, consumption, and control.

KING’S MAKER/ TRUCULENCE

Two visual interpretations of defiance and distortion.
“KING’S NVRER – Take the Crown” blends royal symbolism with rebellion —
a dark, urban aesthetic where power and ego collapse into chaos.
Graffiti elements, gothic lettering, and muted reds build a visual tension between self-destruction and glory.

“TRUCULENCE – My Violence (itgmaru)” continues that energy in digital form.
Glitches, pixel ruptures, and corrupted colors become a metaphor for internal violence and fractured identity.
Both works challenge control — celebrating imperfection, noise, and raw emotion through visual conflict.

“MONEY CANT BUY HAPPINESS” — The Illusion of Value

Feed Me Money is a conceptual magazine exploring the absurd relationship between human desire, capitalism, and the illusion of value. The project uses typography, repetition, and visual rhythm to critique how money has evolved from a practical tool into a psychological obsession.

Each page functions as a statement — loud, distorted, and confrontational. The design merges irony and critique, reflecting how economic systems shape behavior and perception through endless repetition.

The magazine draws from the aesthetics of propaganda and advertising, blending visual aggression with subtle humor. It exposes how language and image are used to manipulate emotion and normalize excess, while questioning what remains authentic in a world constantly driven by production and profit.